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books &c.

Good Neighbors

At 4:00 A.M. on March 13, 1964, a young woman returning home from her shift at a local bar is attacked in the courtyard of her Queens apartment building. Her neighbors hear her cries; no one calls for help.

Unfolding over the course of two hours, Good Neighbors is the story of the woman's last night. It is also the story of her neighbors, the bystanders who kept to themselves: the anxious Vietnam draftee; the former soldier planning suicide; the woman who thinks she's killed a child and her husband, who will risk everything for her. Revealing a fascinating cross-section of American society in expertly interlocking plotlines, Good Neighbors calls to mind the Oscar-winning movie Crash, and its suspense and profound sense of urban menace rank it with Hitchcock's Rear Window and the gritty crime novels of Dennis Lehane, Richard Price, and James Ellroy

The Dispatcher

The phone rings. It's your daughter. She's been dead for four months.

 

So begins East Texas police dispatcher Ian Hunt's fight to get his daughter back. The call is cut off by the man who snatched her from her bedroom seven years ago, and a basic description of the kidnapper is all Ian has to go on. What follows is a bullet-strewn cross-country chase from Texas to California along Interstate 10- a wild ride in a 1965 Mustang that passes through the outlaw territory of No Country for Old Men and is shot through with moments of macabre violence that call to mind the novels of Thomas Harris.

The Breakout

James Murphy is a Marine Corps sniper. He’s done two tours in Afghanistan. He’s considered an American Hero. And James is out for revenge.

Alejandro Rocha, a massively powerful drug kingpin who operates out of La Paz, Mexico, is responsible for James’s sister, Layla’s death, and he intends to make Rocha pay for it.

James goes AWOL from his unit and travels to Mexico, ready to enact bloody vengeance, but before he can go through with his plan, he is arrested by the crooked police of La Paz. He’s quickly thrown into a dangerous prison on trumped-up charges. He knows he is marked for death while in this prison and there’s nothing he can do about it. However, there is a group of people who can do something about it.

Discovering that James is wasting away in a Mexican prison, the marines in his unit decide to risk court-martial themselves and go AWOL as well, ready to go to war in order to break their brother out. And that’s just the beginning of the mayhem and violence.

The Strangers

Five years after The Dispatcher, the sound of gunfire shatters Ian Hunt's peace--and drags him back into a nightmare.

Since rescuing his abducted daughter, Maggie, Chief Ian Hunt has carved out a quiet life in Bulls Mouth, Texas. Maggie is healing. Ian is finally breathing again. And his bond with Sally De Santo--the town's dangerously alluring gun shop owner--has grown into something worth holding on to.

But all it takes is one phone call. One gunshot. One assassin who never misses.

The hit on Sally explodes Ian's world, leaving her in a coma and entangling him in a deadly conspiracy of gun trafficking and blood money. As Ian pulls at the threads of Sally's shady dealings, he finds himself colliding with Agent Abigail Tate of the ATF, who has been hunting a Mexican cartel's weapons dealer for years. Together, they face a grim reality: Sally's secrets have made her a target, and the people coming for her don't stop until their enemies are buried.

 

When Sally wakes, survival takes a terrifying twist--she remembers everything but no longer recognizes a single face. Allies and enemies blur together, and one wrong move could be her last. Now, Ian must deliver her to safety while facing a ruthless enemy who thrives in the shadows, a killer who knows how to hide in plain sight.

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